Showing posts with label Aguar of Thule. Show all posts
Showing posts with label Aguar of Thule. Show all posts

Saturday, August 30, 2014

Talking Strategy


Click on image for a larger view!

Galan, son of Prince Valiant and Queen Aleta, has brought together his grandfather, King Aguar of Thule; Rory Mor, high king of Hibernia; and the corsair chieftain Salam Fulda to lift Mordred's siege of Camelot.




See also the previous posts:
The Banishment of Mordred
The Return of Mordred
"Camelot, You Are Mine!"

Art: John Cullen Murphy (July 1981).
Text: Cullen Murphy.
Source: The Sun Herald newspaper (Sydney, Australia), November 6, 1983; from the collection of Michael J. Bayly (1983).

Saturday, January 19, 2013

The Makings of a Queen?


Above: Prince Valiant's father King Aguar of Thule is aware that his grandson Prince Arn has fallen in love with the Viking maiden Lydia, daughter of the warrior-king Haakon. Since her mother's death long ago, Lydia has been raised among Haakon's rough and mannerless warriors. Aguar does not question Arn and Lydia's love for one another. But does Lydia have the makings of a queen, he wonders.


See also the previous posts:
Sweethearts United
Halcyon Days
Lydia

Art: Hal Foster and John Cullen Murphy (from installment #2176, October 22, 1978). At this point in Prince Valiant's run, John Cullen Murphy, who had been quietly assisting Hal Foster since 1970, was well into his first decade of drawing the strip over Foster's writing and roughs.
Source: Prince Valiant (Vol. 49): Road to Sorrow's End, comprising pages, or installments, 2168 (August 27, 1978) through 2211 (June 24, 1979). Fantagraphics Books, 2003.

Friday, December 14, 2012

"Here is What We Do . . ."


Aleta and her father-in-law King Aguar of Thule scheme to ensure that Prince Valiant approves of Lady Fenia, the love interest of his long-widowed father.


Art: John Cullen Murphy (from installment #2504, February 3, 1985).
Text: Cullen Murphy.
Source: Prince Valiant, Book One (Kings Features Syndicate, 1986).

Thursday, July 19, 2012

The Relief of Camelot


Click on any image for a larger view!

Returned from his banishment, King Arthur's half-brother Mordred has raised an army and laid siege to Camelot. A curious band of allies led by Rory Mor, High King of Hibernia, and including the corsair Salam Fulda and Prince Valiant's young son Galan and father Aguar of Thule, land in Britain to lift the siege (above).

Aided by Prince Valiant and the knights of the Round Table (below), who for the past three months have been holed up in Arthur's citadel, Rory Mor and his allies rout Mordred's army and bring relief to the besieged Camelot.




And Mordred? He eludes capture and attempts to flee Britain by boat. Learning of his escape plan, Prince Valiant's eldest son Arn does what he can to bring Mordred to justice. Both men, however, end up adrift at sea. While Mordred is seemingly lost to the waves, Arn is washed up on the shores of an "isle beyond the north wind." Here he meets the woman who will forever change his life.




Art: John Cullen Murphy (1981).
Text: Cullen Murphy.
Source: The Sun Herald (Sydney, Australia); from the collection of Michael J. Bayly (1983).

Thursday, April 26, 2012

The Return of Mordred


Exiled from Camelot for his treachery, King Arthur's half-brother Mordred has been far from idle. He has raised an army, usurped the throne of Prince Valiant's father, Aguar of Thule, and launched a swift conquest of Britain's major towns. Soon Camelot itself will be within his grasp.

While Prince Valiant buys Arthur time (above), Aleta lends a helping hand in the refugee camps around Camelot (below).






Art: John Cullen Murphy (from page 2319, July 19, 1981).
Text: Cullen Murphy.
Source: The Sun Herald (Sydney, Australia); from the collection of Michael J. Bayly (September 4, 1983).

Tuesday, February 7, 2012

Prince Valiant Celebrates 75th Anniversary

This coming Monday, February 13, 2012, marks the 75th anniversary of the Prince Valiant adventure strip!

In marking this impressive achievement, King Features, the publisher of Prince Valiant in more than 300 American newspapers, notes that the strip created by "the immortal Hal Foster" and first published on February 13, 1937, "continues strong to this day as the pinnacle of comic strip adventure storytelling."

It's a view shared by many, including Matt Seneca who, in his recent review of Prince Valiant, Volume 4: 1943-1944, writes, "Prince Valiant . . . has probably done more time than any other [strip] as the popular imagination’s pick for 'greatest comic ever.' . . . [T]he mastery Foster brings to bear on his every panel may have been equaled both before and since his prime, but it’s never been surpassed."




Of course, two artists who have in their own unique ways equaled the artistry of Hal Foster are John Cullen Murphy and Gary Gianni. It has been to these two that the mantle of 'artist of Prince Valiant' has been passed. Murphy was Foster's handpicked successor and drew the strip from 1971 to 2004.

Right: Prince Valiant and his wife Aleta, Queen of the Misty Isles, as drawn by John Cullen Murphy in 1978.


Gary Gianni, in turn, was Murphy's choice of successor and has drawn the strip since 2004 up to the present day.

Left: Prince Valiant and his companions are attacked by harpies in this memorable 2007 illustration by Gary Gianni.



Others involved over the years in the creative endeavor that is Prince Valiant include writers Cullen Murphy and Mark Schultz, colorists Mairead Murphy and Scott Roberts, and, briefly in the early 1970s, artists Gary Morrow and Wally Wood.

 
Right: The Prince of Thule as drawn by Wally Wood. For more rare images of Wood's "try-out" time on Prince Valiant in the early '70s, see this post on Thomas Haller Buchanan's excellent The Pictorial Arts blog.


Generally regarded by comics historians as one of the most impressive visual creations ever syndicated, Prince Valiant is noted for its realistically rendered panoramas and intelligent, sometimes humorous, narrative. Instead of word balloons, Prince Valiant is narrated via captions positioned at the bottom or sides of panels. Frank Plowright in The Comic Guide (1997) notes that: "In the strictest sense, Prince Valiant isn't a comic, being illustrations accompanied by blocks of text, but it's nevertheless stylish, influential, and an exceptional body of work." In his introduction to the first edition of The Definitive Prince Valiant Companion (1992), Todd H. Goldberg suggests that Prince Valiant be considered "a massive illustrated novel presented in a comic art-like style."



Above: The July 31, 2011 installment of Prince Valiant,
with artwork by Gary Gianni and text by Mark Schultz.



Left: The cover of one of the Prince Valiant comic books my father, Gordon Bayly, collected as a teenager in the 1950s. It was these comic books, published and distributed by Associated Newspaper Ltd of Sydney, Australia, that first introduced me to Prince Valiant. They were comprised of black-and-white compilations of Prince Valiant installments from the late-1930s to the mid-1940s.


To mark the 75th anniversary of Prince Valiant an art exhibit featuring Hal Foster’s work on both Prince Valiant and his earlier strip Tarzan, will be on display throughout February at Tinley Park Library (7851 Timber Drive, Tinley Park, Illinois). The exhibition is curated by comics enthusiast Sid Weiskirch, and will travel to different libraries throughout Illinois, including Blue Island Library in July and August 2012, and Orland Park Library in January 2013.




Above: The fall of Camelot: A panel from the September 9, 1984 installment
of Prince Valiant, with artwork by John Cullen Murphy and text by Cullen Murphy.



Twenty-five years ago, when I was a college student in Australia, I wrote an article celebrating the 50th anniversary of Prince Valiant which was published in the Canberra Times.

Last year on the 74th anniversary of the strip I started this blog, A Prince Named Valiant.

And it is at this blog today that I celebrate the 75th anniversary of Prince Valiant by sharing the following pages and illustrations. As you'll see, they all reference various milestones in the strip's history. Be sure to click on each image for a more detailed view.



Above: A memorable panel from the early days of the strip – November 27, 1938, to be exact. The scene of a young Prince Valiant in the grip of a life-threatening fever provides Hal Foster a powerful and poignant opportunity to revisit the significant characters and events of the strip's first two years.

Keeping vigil by Prince Valiant's side is his father, King Aguar of Thule, while "ever hovering near" is the specter of his first (and lost) love, Ilene.




Above: A limited edition Prince Valiant print created by Hal Foster.




Above: Page (or installment) 2000 of Prince Valiant – June 8, 1975.

About this page Thomas Haller Buchanan writes: "Published well after [Hal] Foster retired and laden with iconic Foster artwork from the past, [this page] was quite a treat to see in the midst of John Cullen Murphy's run on the strip."




Above: Page 3000 of Prince Valiant by John Cullen Murphy – August 7, 1994.




Above: A panel from page 3700 of Prince Valiant by Gary Gianni – January 6, 2008.




See also the previous posts:
Welcome!
A Valiant First Effort, Wouldn't You Say?
"He Wasn't a Superhero But He Was a Hero"
Mark Schultz on the Art of Hal Foster: "Uniquely Appealing, Innovative and Influential"
John Cullen Murphy on Prince Valiant: "It's My Duty. I'm Responsible For It"
Mark Schultz on Prince Valiant as an American Invention
"We Are the Daughters of the Queen of the Misty Isles and the Prince of Thule"
Man of Action
Looking Good

. . . and my October 2010 Wild Reed post:
Journeying Into the Truth . . . Valiantly, of Course!


Opening image: Gary Gianni.

Friday, January 20, 2012

Aguar of Thule


Prince Valiant's father, King Aguar of Thule (now present day Norway).


Art: Hal Foster and John Cullen Murphy (from installment #2139, October 15, 1978). At this point in Prince Valiant's run, John Cullen Murphy, who had been quietly assisting Hal Foster since 1970, was well into his first decade of drawing the strip over Foster's writing and roughs.
Source: Prince Valiant (Vol. 49): Road to Sorrow's End, comprising pages, or installments, 2168 (August 27, 1978) through 2211 (June 24, 1979). Fantagraphics Books, 2003.

Monday, February 28, 2011

A Valiant First Effort, Wouldn't You Say?

.
NOTE: The following was first shared at The Wild Reed on August 28, 2010.


Did you know that the first article I ever had published had nothing to do with theology or politics or gay rights? Rather, it was about the adventures of a fictitious Viking prince in the days of King Arthur!

I remember I bought a nice jumper (that’s a sweater for my American friends) with the $40 I was paid for this article – one that was published in The Canberra Times in April 1987. It was also an article that I submitted to the professional writing class I was taking at that time at the Canberra College of Advanced Education (now the University of Canberra). My instructor awarded me a “credit” grade, and noted that my article was “topical, interesting, and well-researched . . . [with] a genuine enthusiasm evident throughout.” He also observed that I “occasionally lapse into over-long sentences” – a habit that dogs me to this day!

In a future post I’ll share how I first became interested in the subject of this first ever article of mine. But for now I simply share (with added links and images) what I wrote back in the Australian autumn of 1987, when I was just a beardless youth of 21.


_______________________



Valiant Prince Turns Fifty

By Michael Bayly

Canberra Times
April 1987


An old witch once prophesied that a certain young and adventurous prince would never know contentment in his life. Whether or not the witch’s prophecy has been fulfilled is hard to ascertain, as contentment, like wealth, is one of those difficult concepts to measure.

Yet to the thousands of faithful readers, the writer and artist who labours to bring the prince to an exquisite degree of life, and the syndicate which has the right to publish this life in over 300 newspapers worldwide, I dare say the prince in question is a source of great contentment indeed.

He is, of course, Prince Valiant – knight of the Round Table and heir to the throne of Thule, who this year celebrates fifty years of existence. Valiant, of course, is not fifty years of age. It has just taken that length of time for the two writer/artists who have been involved in his creation to chronicle his life so far.

Prince Valiant, the comic strip, was created by Hal Foster in 1937. Foster, an accomplished commercial artist, was not new to the world of comics. He had previously written and illustrated Tarzan and the Apes. Yet it would be Prince Valiant, with its rich illustrations and detailed attention to the King Arthur legend, which would bring Foster international renown.



“God in his wisdom endowed me with certain imperfections,” Foster once declared, “but I have made Prince Valiant as I wish God had made me. He’s sort of my body with muscles.”

Prince Valiant was introduced to the Sunday comic pages as a five-year-old boy, the son of the Viking king, Aguar, and his Roman-born wife. Fleeing the sword of a usurper, Aguar and his household settle into exile in the Fens district of Britain. It is here that the young prince’s mother dies and the witch, Horrit, makes her grim prophecy.

In a matter of weeks, the strip depicts Valiant’s aging to his late teens, thus beginning to chronicle the lad’s many adventures.

“The most fun was establishing the legend of Prince Valiant in the early strips,” said Foster. “The hardest thing . . . has been to keep Val human. He has to be good and virtuous but I try to keep him human also. He has faults and frailties like everyone else.”

Leaving his father’s household, the youthful Prince Valiant attaches himself to the court of King Arthur. Roaming across Britain, Europe, and the Holy Land, often as squire to the noble Sir Gawain, Valiant bravely, though sometimes recklessly, fights for the oppressed and for his own renown against invading Huns, Goths, and Saxons. During one adventure he is presented by Prince Arn of Ord with the Singing Sword. “Invisible is he who uses it in good cause,” Arn tells Valiant, who quickly validates the claim.



In time he is rewarded and becomes a knight of Arthur’s legendary Round Table.

“The medieval period gave me scope, that’s why I picked it,” Foster once said. “I have a leeway of almost three centuries [as] with the decline of Roman civilization in the fifth century, written records ceased being kept.”

It was inevitable that Prince Valiant should meet his match, yet it was not in the guise of a warrior or sorcerer but a petite, golden-haired maiden – the young queen of an Aegean kingdom. Aleta, Queen of the Misty Isles, had been falsely accused of witchcraft and murder. Prince Valiant, having dragged her from her throne, vows to take her as his captive back to Camelot and to justice.

“Who had enslaved whom?”, Prince Valiant would ask himself years later, for it soon became apparent that the two were hopelessly in love. And so after an epic adventure involving Valiant rescuing Aleta from a fiendish tyrant, the two young lovers were married.



Foster once stated that he originally wanted to do a strip which would permit him to do fantasy. “I wanted to show magicians, ogres, dragons, and knights. However, after Prince Valiant began, the characters in the strip became too real to do much fantasy.”

Yet what the strip may lack in fantasy, it more than makes up for in adventure. In the decades following his marriage, Valiant embarks on some of the greatest quests of his career. His young bride by no means disappears into the background. On one occasion, Aleta is abducted by Ulfran, the famed Viking raider. In pursuit, Prince Valiant is led to the shores of the New World where he defeats Ulfran and is reunited with his wife. The winter is spent in America with Valiant’s Viking crew and friendly Indians. It is here that Arn, Valiant and Aleta’s first child, is born.

Prince Arn, named after Valiant’s adolescent friend, was the first of five children. Twin daughters, Karen and Valeta, came next; then Galan, heir to his mother’s throne; and finally Nathan. This youngest child almost never knew his family, having been abducted moments after his birth by agents of the Byzantine Emperor Justinian. Prince Arn eventually rescues his infant brother and restores him to his rightful family.

Although much of Prince Valiant’s appeal lies in its skillfully written and illustrated adventures, there is something else equally responsible for the strip’s classic status. For as well as the brute strength of his opponents, the scheming evil of despots and sorcerers, and the treachery of the strip’s arch-villain, Mordred, Prince Valiant, the man, also confronts a variety of situations that call him to draw upon his strength of character and a moral code that, more often than not, challenges him to put others first. He is not a pillaging Viking thug but a gallant, if at times proud, nobleman intent on establishing peace and justice. Not an easy task in the brutal epoch of the Dark Ages.

Even before Hal Foster’s death in 1982, Prince Valiant was being illustrated by John Cullen Murphy [left], the two artists having first began collaborating in 1970. The text of the stories, written by Murphy’s son, may be more detailed but the fundamental qualities remain, and thus the strip’s popularity.

Combining elements of adventure, romance, and Arthurian lore, Prince Valiant has enthralled readers for half a century – a feat with which Valiant himself would be quite content.

– Michael Bayly
Canberra Times
April 1987



Above: This panel from a 1989 strip is a rare depiction of Prince Valiant
and his entire family. In it, Valiant and Aleta's son Galan is being presented
by King Arthur with Uther Pendragon's sword for his "exemplary service in Cathay."

Pictured from left: Prince Valiant's eldest son Arn and his wife Maeve,
youngest son Nathan (foreground), Aleta, Galan, twin daughters Karen and Valeta,
King Arthur, and Prince Valiant.


_________________________________


Of course, Prince Valiant continues to this day! – as, since 2004, the strip has been illustrated by Gary Gianni (right) and written by Mark Schultz.

For an excellent overview of the history of Prince Valiant, I highly recommend The Definitive Prince Valiant Companion by Brian M. Kane.

The Prince Valiant Page by Gary Gianni is also an informative and entertaining resource – one that looks at the artistic style and method of Gianni, the third and latest artist to illustrate Prince Valiant.

Finally, for the latest installment of Prince Valiant, click here.


Above: "A dragon! A dragon awaits Prince Valiant!"
Val and his youngest son Nathan are given a mysterious warning
by "three weird sisters" in a 2005 story by Gianni and Schultz.

Sunday, February 13, 2011

Welcome!


On this day 74 years ago, the first installment of Prince Valiant: In the Days of King Arthur was published in newspapers throughout the United States. It seems fitting, then, to launch today this weblog dedicated to honoring and celebrating the remarkable achievement that is Prince Valiant.

Created by Hal Foster in 1937, Prince Valiant is an epic adventure – one that continues as an ongoing story in over 3800 Sunday strips. In fact, this Sunday's strip or installment is number 3862! According to King Features Syndicate, Prince Valiant currently appears weekly in more than 300 American newspapers. It's also published internationally.


Above: Today's installment of Prince Valiant – #3862.
(To enlarge, click on image)


Generally regarded by comics historians as one of the most impressive visual creations ever syndicated, Prince Valiant is noted for its realistically rendered panoramas and intelligent, sometimes humorous, narrative. Instead of word balloons, Prince Valiant is narrated via captions positioned at the bottom or sides of panels. Frank Plowright in The Comic Guide (1997) notes that: "In the strictest sense, Prince Valiant isn't a comic, being illustrations accompanied by blocks of text, but it's nevertheless stylish, influential, and an exceptional body of work." In his introduction to the first edition (1992) of The Definitive Prince Valiant Companion, Todd H. Goldberg suggests that Prince Valiant be considered "a massive illustrated novel presented in a comic art-like style."


Above: The young Prince Valiant makes his first appearance
with his parents, King Aguar of Thule and his queen – February 13, 1937.
The strip begins with the exiled Aguar seeking refuge
with his household in the wild English Fens.


I first became aware of Prince Valiant when, as a child growing up in Australia, I discovered in my family's garden shed old copies of Prince Valiant comic books that my father had collected as a youth in the 1950s. These comic books, I was to learn later, were collections of various Sunday strips from the late 1930s and early 1940s. They were reproduced in black and white – as were the more recent strips that were then published every Sunday in the Sun Herald newspaper, and which I read and collected as a teenager. It wasn't until many years later that I discovered that Prince Valiant was originally designed to be published in color – which indeed it was (and is) in many places.

When my Dad was reading Prince Valiant as a teenager, the strip was being drawn and written by its creator Hal Foster (pictured at right). When I was reading and collecting the strip it was being drawn by John Cullen Murphy and written by his son Cullen Murphy. Today Prince Valiant is drawn by Gary Gianni and written by Mark Schultz.

(4/1/12 Update: Thomas Yeates becomes the new illustrator of Prince Valiant.)

A Prince Named Valiant will celebrate the work of these gifted artists and writers by sharing images and text from Prince Valiant's 70+ year history. I'll also periodically share my own and others' writings and insights on what has been called the "biggest, most beautiful comic strip of all time."


Above: The opening panel of the very first installment of Prince Valiant 
(Saturday, February 13, 1937).


NEXT: “He Wasn't a Superhero But He Was a Hero”


Opening image: The illustration from the opening panel of the January 15, 1961 Prince Valiant strip (Hal Foster).