Art and text: Hal Foster (from page 787, March 9, 1952).
Source: Prince Valiant (Vol. 8): 1951-1952 – Hal Foster (Fantagraphics Books, 2014).
Sunday, August 26, 2018
The River
Art and text: Hal Foster (from page 787, March 9, 1952).
Source: Prince Valiant (Vol. 8): 1951-1952 – Hal Foster (Fantagraphics Books, 2014).
Sunday, May 27, 2018
Prince Valiant in Philadelphia
My friend John sent me the above installment of the Mother Goose and Grimm comic strip from yesterday's edition of the Minneapolis Star Tribune.
As you can see, it features the Prince of Thule and the Queen of the Misty Isles . . . in Philadelphia, no less!
As the strip humorously notes, the National Cartoonists Society recently met in Philadelphia. According to the Society's official website . . .
The National Cartoonists Society is the world's largest and most prestigious organization of professional cartoonists. It was born in 1946 when groups of cartoonists got together to entertain the troops. They found that they enjoyed each other's company and decided to get together on a regular basis.
Today, the NCS membership roster includes over 500 of the world's major cartoonists, working in many branches of the profession, including newspaper comic strips and panels, comic books, editorial cartoons, animation, gag cartoons, greeting cards, advertising, magazine and book illustration and more.
Membership is limited to established professional cartoonists, with a few exceptions of outstanding persons in affiliated fields. The NCS is not a guild or union, although we have joined forces from time to time to fight for member's rights, and we regularly use our talents to help worthwhile causes.
The NCS's Reuben Award (determined by secret ballot) is presented annually to the Outstanding Cartoonist of the Year. The 2017 Reuben recipient, named at this year's event in Philadelphia, is Glen Keane.
Hal Foster, creator of Prince Valiant, won the Reuben in 1957. He would go on to win the NCS's Story Comic Strip Award in 1964 and the Special Features Award in 1966 and 1967, all for Prince Valiant.
Foster's successor, John Cullen Murphy, was honored with the NCS's Story Comic Strip Award in 1971 and again for Prince Valiant in 1974, 1976, 1978, 1984 and 1987. He also received the NCS's Elzie Segar Award in 1983.
Mike Peters, creator of Mother Goose and Grimm, won the Reuben in 1991.
Monday, April 30, 2018
A First for Prince Valiant
Four years ago, back in April of 2014, the Prince Valiant adventure strip had a "first" in its then 77-year history. Although in the grand scheme of things it was not a particularly earth-shaking event, this "first" was nevertheless an interesting and, in some ways, significant sign of progress.
This "first" appeared in two panels from the April 20, 2014 page (one of these panels is at right) and it no doubt went unnoticed by most readers.
To fully appreciate its significance (not to mention to discern, if you haven't already, what it is I'm actually talking about), I invite you to take a look at the following panels from the history of Prince Valiant dating back to 1938.
In these depictions of the Prince of Thule's anatomy do you see anything missing?
Yes, that's right, Prince Valiant's otherwise well-drawn (and impressive) physique has no nipples!
Last December, Cullen Murphy, who wrote Prince Valiant for most of the 30+ years that his father John Cullen Murphy drew the strip from the early 1970s to 2004, was interviewed by Terry Gross, host and executive producer of National Public Radio's Fresh Air program. One of the things that Murphy discussed was the "censorship" which for decades of Prince Valiant's history prevented the showing of, among other things, nipples.
__________________________
Cullen Murphy: The bullpen were the people who received the strips – the original strips when they were sent in by cartoonists and then prepared them for publication, and they were the line of first resort when it came to – I guess we'd have to call it censorship. And he had a list of what he called 35 noes - the things you couldn't show. And, you know, some of them would be obvious, and some of them were not obvious. Like, you weren't allowed to show a pair of dirty socks lying on a chair.
Terry Gross: What? (Laughter).
Cullen Murphy: I have no idea why that was a rule. You just – it was a rule, and you had to live by it. But one of the things that was, you know, a source of bedevilment – not just for my father, but for others – was navels. You couldn't show navels on people, and you couldn't show nipples on men.
Terry Gross: Well, let me stop you there. You have a drawing that your father did from when he was drawing a comic strip about a prizefighter called "Big Ben Bolt." And so of course, he's bare-chested. He's in the ring, and he has no nipples (laughter).
Cullen Murphy: That's right. You know, if you can't use nipples on men, you're going to have something lacking when you depict prizefighters, or in strips like Alley Oop or in B.C. – any place where you have bare-chested men. And navels is a problem, too. . . .
Terry Gross: We – you know, the curious thing is that, you know, men were already on beaches with bathing trunks and no top. It's not like this was something that children hadn't seen. Like, you can't let a child see a man with nipples.
Cullen Murphy: (Laughter)
Terry Gross: . . . Or you can't let a child see a belly. Like, children were always so curious about what they're – you have an innie or an outie? And so why were these prohibitions existing? What were they about?
Cullen Murphy: Well, I think you have to go back and look at the structure of the industry just more broadly. This is a mass medium in publications with largely conservative owners, and things that are being printed have to conform to – you know, standards is probably the wrong word, but the – you know, the wishes of, you know, a certain large proportion of the readership. It's an issue that affects any kind of mass medium.
And so, you know, comic strips were subject to that, and as a result, you know, lots of things would creep in that otherwise would be accepted by almost everybody as normal – for instance, smoking a pipe. Because tobacco was frowned on in some areas, you know, smoking a pipe in some places could be, really, a problem, and pipes would be whited-out of the strip. So you'd have some guy with his hand up to his mouth as if he's holding something, but there's nothing there.
_______________________________
Well, thanks to current Prince Valiant illustrator Thomas Yeates, nipples are no longer banished from the revered adventure strip!
And as I noted at the beginning of this post, their first appearance was on the Prince of Thule himself in the April 20, 2014 installment (or page).
Since that time Yeates has been very diligent in accurately depicting Prince Valiant's manly bare chest . . .
. . . as can be seen in the illustration above.
And it's not just Prince Valiant who gets to be shown in all his anatomical correctness (and glory!) . . .
. . . but also Val's son-in-law Vanni (seen above tormented and imprisoned in the fortress of the sorcerer Azar Rasa), and the desert brigard Numair (pictured below).
See also the previous posts:
• In All Ways Different
• Captured, Stripped, and Bound
• Former Prince Valiant Writer Cullen Murphy Interviewed by Terry Gross
• Gary Gianni's Prince Valiant: Looking Good
• Thomas Yeates: "My Biggest Thrill is Seeing the Prince Valiant Logo on My Drawings"
Image 1: Thomas Yeates (2014).
Images 2-5: Hal Foster (1938, 1941, 1941, and 1952 respectively).
Image 6: Gary Gianni (2004).
Images 7-11: Thomas Yeates (2014, 2016, 2015, 2015, 2016, and 2017 respectively).
To fully appreciate its significance (not to mention to discern, if you haven't already, what it is I'm actually talking about), I invite you to take a look at the following panels from the history of Prince Valiant dating back to 1938.
In these depictions of the Prince of Thule's anatomy do you see anything missing?
Yes, that's right, Prince Valiant's otherwise well-drawn (and impressive) physique has no nipples!
Last December, Cullen Murphy, who wrote Prince Valiant for most of the 30+ years that his father John Cullen Murphy drew the strip from the early 1970s to 2004, was interviewed by Terry Gross, host and executive producer of National Public Radio's Fresh Air program. One of the things that Murphy discussed was the "censorship" which for decades of Prince Valiant's history prevented the showing of, among other things, nipples.
Cullen Murphy: The bullpen were the people who received the strips – the original strips when they were sent in by cartoonists and then prepared them for publication, and they were the line of first resort when it came to – I guess we'd have to call it censorship. And he had a list of what he called 35 noes - the things you couldn't show. And, you know, some of them would be obvious, and some of them were not obvious. Like, you weren't allowed to show a pair of dirty socks lying on a chair.
Terry Gross: What? (Laughter).
Cullen Murphy: I have no idea why that was a rule. You just – it was a rule, and you had to live by it. But one of the things that was, you know, a source of bedevilment – not just for my father, but for others – was navels. You couldn't show navels on people, and you couldn't show nipples on men.
Terry Gross: Well, let me stop you there. You have a drawing that your father did from when he was drawing a comic strip about a prizefighter called "Big Ben Bolt." And so of course, he's bare-chested. He's in the ring, and he has no nipples (laughter).
Cullen Murphy: That's right. You know, if you can't use nipples on men, you're going to have something lacking when you depict prizefighters, or in strips like Alley Oop or in B.C. – any place where you have bare-chested men. And navels is a problem, too. . . .
Terry Gross: We – you know, the curious thing is that, you know, men were already on beaches with bathing trunks and no top. It's not like this was something that children hadn't seen. Like, you can't let a child see a man with nipples.
Cullen Murphy: (Laughter)
Terry Gross: . . . Or you can't let a child see a belly. Like, children were always so curious about what they're – you have an innie or an outie? And so why were these prohibitions existing? What were they about?
Cullen Murphy: Well, I think you have to go back and look at the structure of the industry just more broadly. This is a mass medium in publications with largely conservative owners, and things that are being printed have to conform to – you know, standards is probably the wrong word, but the – you know, the wishes of, you know, a certain large proportion of the readership. It's an issue that affects any kind of mass medium.
And so, you know, comic strips were subject to that, and as a result, you know, lots of things would creep in that otherwise would be accepted by almost everybody as normal – for instance, smoking a pipe. Because tobacco was frowned on in some areas, you know, smoking a pipe in some places could be, really, a problem, and pipes would be whited-out of the strip. So you'd have some guy with his hand up to his mouth as if he's holding something, but there's nothing there.
And as I noted at the beginning of this post, their first appearance was on the Prince of Thule himself in the April 20, 2014 installment (or page).
Since that time Yeates has been very diligent in accurately depicting Prince Valiant's manly bare chest . . .
. . . as can be seen in the illustration above.
And it's not just Prince Valiant who gets to be shown in all his anatomical correctness (and glory!) . . .
. . . but also Val's son-in-law Vanni (seen above tormented and imprisoned in the fortress of the sorcerer Azar Rasa), and the desert brigard Numair (pictured below).
See also the previous posts:
• In All Ways Different
• Captured, Stripped, and Bound
• Former Prince Valiant Writer Cullen Murphy Interviewed by Terry Gross
• Gary Gianni's Prince Valiant: Looking Good
• Thomas Yeates: "My Biggest Thrill is Seeing the Prince Valiant Logo on My Drawings"
Image 1: Thomas Yeates (2014).
Images 2-5: Hal Foster (1938, 1941, 1941, and 1952 respectively).
Image 6: Gary Gianni (2004).
Images 7-11: Thomas Yeates (2014, 2016, 2015, 2015, 2016, and 2017 respectively).
Sunday, April 15, 2018
Helene Makes Her Choice
Art and text: Hal Foster (from page 896, April 11, 1954).
Source: Prince Valiant (Vol. 9): 1953-1954 – Hal Foster (Fantagraphics Books, 2014).
Saturday, March 31, 2018
Racing Ahead
Art and text: Hal Foster (from page 850, May 24, 1953).
Source: Prince Valiant (Vol. 9): 1953-1954 – Hal Foster (Fantagraphics Books, 2014).
Thursday, March 22, 2018
"Let Us Hasten"
Art: Hal Foster and John Cullen Murphy (circa 1976). At this point in Prince Valiant's run, Murphy, who had been quietly assisting Foster since 1970, was well into his first decade of drawing the strip over Foster's writing and roughs.
Source: The Sun Herald (Sydney, Australia); from the collection of Michael J. Bayly (circa 1978).
Monday, March 12, 2018
Ambush
Art: Gary Gianni (from page 3551, February 27, 2005).
Text: Mark Schiltz.
Source: Prince Valiant: Far from Camelot – Gary Gianni and Mark Schultz (Andrews McMeel Publishing, 2008).
Sunday, March 4, 2018
Out of Nowhere
. . . And suddenly, the world is lost in a blinding, stinging blur of hard-driven snow! The unnatural squall appears seemingly out of nowhere, roaring past Karen and Numair and down the rugged slopes.
Art: Thomas Yeates (from page 4129, March 28, 2016).
Text: Mark Schultz.
Source: Comics Kingdom.
Monday, February 26, 2018
To the Very Gates of Camelot
Art and text: Hal Foster (from page 877, November 29, 1953).
Source: Prince Valiant (Vol. 9): 1953-1954 – Hal Foster (Fantagraphics Books, 2014).
Tuesday, February 13, 2018
Celebrating 81 Years of Prince Valiant
Valiant, Prince of Thule, as drawn by Thomas Yeates (2015),
the fourth and current illustrator of the Prince Valiant adventure strip.
the fourth and current illustrator of the Prince Valiant adventure strip.
Friends, today marks the 81st anniversary of Prince Valiant, cited as "one of the finest works ever to be produced in the comic art medium." Created in 1937 by Harold R. Foster (1892-1982), Prince Valiant can rightly be considered a massive illustrated novel presented in a comic art-like style.
For A Prince Named Valiant's informative series of posts to mark the 75th anniversary of Prince Valiant, click here, here and here.
For last year's special 80th anniversary post featuring an insightful article by Brian Kane, click here.
Right: Current Prince Valiant illustrator Thomas Yeates at Comic-Con 2015 . . . with none other than the Prince of Thule himself!
Yeates took over from Gary Gianni, the third illustrator of Prince Valiant, in April 2012.
For the latest installment (or page) of Prince Valiant, click here.
Above: Prince Valiant, as drawn by Hal Foster (1943).
Above: Prince Valiant, as drawn by John Cullen Murphy (1984). Murphy's son, Cullen, wrote Prince Valiant during his father's tenue.
Above: An action sequence from page 4164 (November 27, 2016) of Prince Valiant, with art by Thomas Yeates and text by Mark Schultz.
See also the previous posts:
• How It All Began
• A Valiant First Effort, Wouldn't You Say?
• Remembering Episode 3000, 8/7/94
• John Cullen Murphy on Prince Valiant: "It's My Duty. I'm Responsible For It"
• Former Prince Valiant Writer Cullen Murphy Interviewed by Terry Gross
• Mark Schultz on Prince Valiant as an American Invention
• Gary Gianni's Prince Valiant: Looking Good
• Prince Valiant Celebrates 75th Anniversary
• Something Very Special
• Thomas Yeates: "My Biggest Thrill is Seeing the Prince Valiant Logo on My Drawings"
• "He Wasn't a Superhero But He Was a Hero"
• 4000
• Comics’ Sweeping Graphic Novel, Prince Valiant, Turns 80
Wednesday, February 7, 2018
In the Tomb of Ch'in Shih Huang-Ti
Click on image for a larger view.
Two of Prince Valiant's children, Arn and Karen, have accompanied Giovanni (Vanni) to Cathay in search of his long-lost father. Unaware that Prince Valiant, Gawain, and Yuan Chen are also in Cathay, in search of the fabled Prester John, the three young people stumble upon the tomb of the great Emperor Ch'in Shih Huang-Ti, filled with thousands of full-sized terracotta soldiers and horses.
Art: John Cullen Murphy (1989).
Text: Cullen Murphy.
Source: The Sun Herald newspaper (Sydney, Australia), 1992; from the collection of Michael J. Bayly.
Saturday, February 3, 2018
A Long, Breathless Moment
Art and text: Hal Foster (March 9, 1952).
Source: Prince Valiant (Vol. 8): 1951-1952 – Hal Foster (Fantagraphics Books, 2014).
Wednesday, January 31, 2018
Calypso
Journeying from Camelot to the Misty Isles, Prince Valiant and his family are shipwrecked on an island in the Mediterranean Sea – the "sea of myths." It's an apt description, as this particular island seems to be inhabited by the sirens of Greek myth.
After a miraculous grounding, Prince Valiant finds himself drawn to abandon his family and follow the lure of the sirens' song.
This "female spirit," however, is not what it seems. And when at last the unearthly sirens appear, they are wielding very earthly weapons that are about to end Val's life. It is then that one of the sirens who seems to be in command suddenly gasps and cries, "Hold, my sisters. It is he! He who is chosen to be mine."
Despite Val's protestations, the commanding siren is adamant that . . .
Art: Thomas Yeates (from pages 4014 and 4017, 1/12/14 and 2/2/14 respectively.)
Text: Mark Schultz.
Source: Comics Kingdom.
See also the previous posts:
• Bound for the Misty Isles
• Sea of Myths
• The Whirlpool
• A Miraculous Grounding
• The Siren's Call
Sunday, January 28, 2018
Into the Brooding Forest
Art: Gary Gianni (from page #3912, January 29, 2012).
Text: Mark Schutz.
Source: Comics Kingdom.
Tuesday, January 23, 2018
At Least a Beginning
Art and text: Hal Foster (January 18, 1953).
Source: Prince Valiant (Vol. 9): 1953-1954 – Hal Foster (Fantagraphics Books, 2014).
Tuesday, January 16, 2018
Into Action
Art: Gary Gianni (from page 3629, August 27, 2006).
Source: Prince Valiant: Far from Camelot – Gary Gianni and Mark Schultz (Andrews McMeel Publishing, 2008).
See also the previous posts:
• Man of Action
• Man of Action II
• Valiant to the Rescue
• At the Ready
• Warrior Prince
• "He Wasn't a Superhero But He Was a Hero"
Sunday, January 7, 2018
Until the End of Time
Art and text: Hal Foster (from page 451, September 30, 1945).
Source: The Prince Valiant Scrapbook (King Features Syndicate, published by Bill Crouch, Jr., 1981).
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